Kemotional

Month

June 2013

23 posts

Jun 18, 20135 notes
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Jun 17, 20131,503 notes
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Jun 17, 20135 notes
Jun 17, 2013193,373 notes
Jun 17, 201314 notes
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Jun 17, 201394,326 notes
Jun 17, 201348,211 notes
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Jun 16, 20132 notes
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Jun 16, 20132 notes
Jun 15, 20138 notes
Jun 15, 20131,181 notes
Jun 15, 20135 notes
Jun 12, 2013162,056 notes
PSS Camera One: Update #16

pointshootship:

image

YES!

The camera has made it to it’s final destination. I got a text this morning from Kat saying she received the camera, and plans on getting it to me at some point this weekend. 

Also things smell like perfume. 

Which one of you beautiful geniuses sprayed the notebook, 5th grade love letter style? Because yes I like you and yes I’d like to go steady at group rock & roll bowling on Friday. xoxoxo

Jun 6, 20136 notes
Jun 6, 2013214,045 notes
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Jun 6, 2013
Jun 5, 20131,922 notes
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Jun 3, 2013
Tessellate (Alt-J Cover)

Tessellate (Alt-J Cover) produced by Xaphoon Jones

Jun 3, 20131 note
#SoundCloud #Ellie Goulding #ellie #goulding #alt-j #alt
Jun 3, 20131,572 notes
Jun 3, 20137,446 notes
Jun 3, 2013463 notes
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Jun 2, 2013

May 2013

15 posts

May 29, 2013592 notes
May 27, 201314 notes
“

When was super depressed, I wasn’t working—I was always too depressed. Hemingway did his best work when he didn’t drink, then he drank himself to death and blew his head off with a shotgun. Someone asked John Cheever, “What’d you learn from Hemingway?” and he said “I learned not to blow my head off with a shotgun.” I remember going to the Michigan poetry festival, meeting Etheridge Knight there and Robert Creeley. Creeley was so drunk—he was reading and he only had one eye, of course, and had to hold his book like two inches from his face using his one good eye. But you look at somebody like George Saunders—I think he’s the best short story writer in English alive—that’s somebody who tries very hard to live a sane, alert life.

You’re present when you’re not drinking a fifth of Jack Daniel’s every day. It’s probably better for your writing career, you know? I think being tortured as a virtue is a kind of antiquated sense of what it is to be an artist.

”
—

In an interview with The Fix, Mary Karr debunks the toxic mythology that it is necessary to be damaged in order to be creative. My own vehement defiance to that mythology is what led me to choose Ray Bradbury – the ultimate epitome of creating from joy rather than suffering – as the subject of my contribution to The New York Times’ The Lives They Lived.

Pair with Karr on why writers write.

(via explore-blog)

May 24, 20135,471 notes
May 24, 201316 notes
May 24, 201372 notes
May 23, 201325,529 notes
May 22, 201389 notes
“When you grow up as a girl, the world tells you the things that you are supposed to be: emotional, loving, beautiful, wanted. And then when you are those things, the world tells you they are inferior: illogical, weak, vain, empty. The world teaches you that the way you exist in it is disgusting — you watch boys cringe backward in your dorm room when you talk about your period, blue water pretending to be blood in a maxi pad commercial. It is little things, and it is constant. In a food court in a mall, after you go to the gynecologist for the first time, you and your friend talk about how much it hurts, and over her shoulder you watch two boys your age turn to look at you and wrinkle their noses: the reality of your life is impolite to talk about. The world says that you don’t have a right to the space you occupy, any place with men in it is not yours, you and your body exist only as far as what men want to do with it. At fifteen, you find fifteen-year-old boys you have never met somehow believe you should bend your body to their will. At almost thirty, you find fifteen-year-old boys you have never met still somehow believe you should bend your body to their will. They are children. They are children.” —

| Stevie Nicks (via laesquinalatina)

I DIDN’T THINK I COULD LOVE HER MORE. 

(via resplendent-quatopygia)

May 22, 2013694 notes
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May 21, 2013
May 21, 201345,562 notes
May 21, 20138,758 notes
“

I think mainstream American Superhero comics lag a little behind other expressions of teenage life in culture, and if you do that, you’re risking writing comics that appeal to the parents of teenagers rather than the teenagers themselves.

In terms of blocks, I suspect a good chunk of it comes out of comics being a visual medium. Text is a great obfuscator of content. You can read a book, and your parents will never know that it contains matter they’d have trouble with, because they’re never actually going to read it. But comics, being visual, are transparent. At a glance, they can judge it — and so often judge it at a glance, without actually reading it.

So you walk a line. I started “Young Avengers” with the scene for a number of reasons, but one of them was certainly seeing if Marvel would let me do it. If I weren’t able to write that, I’d have had to bow out of the gig, because there would be no way of doing anything I thought worth doing.

Marvel didn’t even raise an eyebrow.

I think the biggest blockade to the creation of the content is creators not choosing to create the content.

”
—From my new interview about Young Avengers over at CBR, which finds me in a pugnacious somewhat wanky mode. (via kierongillen)
May 21, 2013848 notes
May 20, 201331 notes
May 20, 201359,032 notes
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May 15, 20136 notes
Apr 30, 2013771 notes

April 2013

28 posts

Apr 30, 2013885 notes
Apr 30, 20133 notes
Apr 30, 20131,055 notes
Apr 28, 201316,261 notes
Apr 27, 2013148,812 notes
Apr 27, 20131,453 notes
Apr 27, 2013480 notes
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Apr 25, 2013
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Apr 25, 2013485 notes
Apr 24, 2013513 notes
Apr 24, 20132,010 notes
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